sl011 is on its way! to celebrate our most beloved format we mix the old and new and bring together three artists we ve just taken on board with regular sl artist joey kay from chicago. special artists, special audience, special music, special release: 180 copies, 180 grams. nothing more. nothing less. pandilla ltd opens up the feast on the a side. a collective of three portuguese artists, this trio of producers-composers made a name for themselves through their distinctive minimalist approach to music. and what better way to introduce them than the very title of their track: -you get to know-. do meet the guys and enjoy. chicago resident joey kay was already with on sl001 and sl003. but why would we stop? here he is again with some new gems. joey s been producing quality and selective underground house music since the 80s, giving us each time delightful hints of what good chicago underground truly sounds like, far away from seasonal trends and close to his own philosophy instead. open up your ears and heart, as joey will be -trying 2 reach u- with his beautiful ode to the golden age of house music. the end is just the beginning, people. flip the record, start again, and let tommy guide you. tommy vicari jnr is an underground music hero well known for his singular and very unique sound. tommy plays by his own rules and tastes. he produces and releases tommy s kind of sounds and tommy s kind of sounds only, regardless how of far he needs to push the boundaries of his musical world to find the right beat and hit. -decided- is sl011 punchy bassline banger, in case you thought of falling asleep between both sides. for don t forget: true dancers always dance. almost the end, we know, but dry your tears, we re not there yet, no, no. harrison bdb aka harry weber is here with us for the last stretch and a final sonic hug - one to remember -. harrison s immersive approach to deep house has earned the man his credit, solidly grounded in the finest and deepest selections. the kind of selection, in fact, that d make anyone want that record again. mind you, this is probably what this last track -going back- is telling to do. ready? flip!

next up in this ongoing split-ep series are two equally talented producers from different ends of the spectrum, both sharing their unique viewpoints on that special dreamspace of self-awareness and how the way there actually sounds like! following his explosive figure-ep just this recent summer, juxta position now reveals his more sublime side on these two technoid journeys. keeping it raw and beautiful, the analogue lover lets his synths engage in dialogue, floating through murky realms and simply getting lost in the groove. a new face for figure and definitely one to watch is pablo mateo. taking a likewise subtle yet distinctly more grounded approach, his tunes unfold slowly and each tell their entirely own storyline. tomo is an extraordinary specimen of how a track grows past its confines, into something genuinely touching and can eventually open up that space inside and what lies beyond!

voiski embarks on the third expedition into the cosmic lands .a collection of singular and utopian ambient, electronica and techno tracks illustrated by spectacular picture of layla kerley and bruno compagnet. cosmic adventure is an honest portrayal without fabrication or pretense. too often electronic music is subjected to the damaging opinions of others and categorized in a movement or a trend, choking the freshness out of the sound. cosmic adventure provides a platform of creative energy, a unique platform for unique artists who search nothing except discovering new landscapes and inspiration.

as the timing appears to be right while summer just made it’s entrance it seemed only appropriate for the release of another single.
the idea behind the release was conceived when digging for records through paris while touring a couple of years ago during a conversation with a vinyl monger discussing 70’s pop-funk pakistani composers.
since the inspiration as well as the records sampled for both of the tracks were picked up from the “city of lights” it seemed only appropriate for mononome to finally collaborate with parisian label and long-time friends stillmuzik for a release.
“loralai” evolves around a feel-good uptempo groove emphasizing on the sample while “besima” is based mainly on mononome’s characteristic drum sounds, leaving an essence of psychedelia in the background.
available in 7” vinyl limited to 300 copies via stillmuzik.

repress !! urgent: our agents recently tracked safe trip organisation ringleader young marco to south afirca, where he was expanding the collectives shadow network, past fire. he was spotted handing writable compact discs – popularly known as cd-rs – to unknown associates. through interrogation, we managed to extract a copy of one of these discs, which bore the handwritten text: pf99 dance forever.

following up on their acclaimed 2016 album, “pitch black mirror”, the canadian duo return to sonic groove with four new tracks based on their improvised live performances. these are dance floor tracks with an experimental edge and a pervasive sense of dread, emphasizing the project’s decades-long commitment to fusing techno and industrial music in unique ways. elements of ebm, electro, and rhythmic noise blur together as serpentine basslines twist through shifting layers of percussion, and modular dronescapes morph into agonized voices of suffering and defiance. another powerful weapon from the orphx arsenal.

positive centre marks the 5th release on his in silent series label with 4 tracks of weighted mechanical workouts that feature his honed atmospheric style with brooding scenery and sharp percussive accents. isolated loop takes a crunched and spat out growl of an acid synth and blends it with ever developing drum machine patterns as a weaponised techno tool. tension arm builds on this with sharp percussion piercing over a hard edged bassline and atmospheric scenery. idle roller is a deep, sub-aquatic rhythm journeying to parts unknown with subtle switch in rhythm keeping the momentum going through this textured sound world. sum tolerance fractures open with stretched sounds of otherworldly instruments, sludge laden beats and humming bass pressure.

it was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now – anthony burgess, a clockwork orange after their lps “ike yard” (also known as “a fact a second” factory america, 1982) and nord (phisteria and desire, 2010) ike yard delivers their last album “rejoy” on noiztank, 2018 as the culmination of their recent years reinvented sound. as the perpetual flag bearers of the cutting-edge post-punk spirit, the nyc- based band shows muscle in a lp fully loaded with abrasive synth pads, scrap metal percussions, and whispered vocals. following the previous criteria of “sacred machine” 2017, it is worth to remark the inclusion of external vocals in the pieces “sister m” and “beyondersay”, which feature yuki osaki and maya. the nine tracks move through different atmospheres, tensions and moods that would perfectly represent a new contemporary soundtrack of the s. kubrick film “a clockwork orange”, a major influence and source of inspiration for the group this time around.

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. number 3 in the series kicks off on a proper old-school tip with cls mammoth can you feel it from 1991, a collaboration between todd terry and benji candelerio cls made a huge and lasting impression with this euphoric and anthemic slab of dancefloor madness. instantly recognisable from it s ravey riff and funky drum programming, file this one under rave classic ! over on the flip side we have south street player s smoothed out (who) keeps changing your mind? , a rolling and deep jam from roland clark and george morel that came out in 1993. this one s some lights down, honest to god soulful house music, skipping garage drums and that organ driven groove offer the perfect vehicle for clark s gorgeous vox to soar over. yet another set of absolutely essential sr cuts from the archive! remastered with love by optimum mastering, bristol from original master sources. made in conjunction with strictly rhythm 2018.

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback.

powel returns to all day i dream with an ep that perfectly encapsulates the label s emotive sound. beautiful and dreamy journeys to close your eyes to and float. ever the perfectionist powel’s tracks have been heard at the events in various revised forms until, finally, he was happy. that makes us happy too. if you’re expecting peak time bangers please move on immediately. however, if you love tinkling bells, smooth flourishes of emotion and great beats then you’ve come to the right place.

perhaps cpu’s deepest foray into techno, osaka-based artist yuri urano’s ‘autline’ e.p. draws parallels with the machine-like incremental builds of sweet exorcist / richard h kirk. plenty of variation with minimal down-tempo through to fierce industrial techno. urano’s industrial sound is gaining a lot of attention in the japanese techno scene and this e.p. will only galvanise her reputation.

industrial metal visionary author & punisher delivers his sixth full-length recording and relapse debut beastland. drawing inspiration from his career as a mechanical engineer, tristan shone (the creator and sole artist behind author & punisher) forged a relationship with design, sound, and fabrication that ultimately yielded his hand-built “drone machines” which mapped the journey away from traditional instrumentation towards custom made -precision machinery.- a robotic experimentation in industrial metal, noise, doom and drone, author & punisher recalls nine inch nails channeling godflesh, traversing through dark, uncompromising, and often disturbing soundscapes with occasional detours into rich melodies and splinters of light. armed with newly built “drone machines” and a new label, beastland is author & punisher’s career-defining statement and a powerful listening experience that further blurs the line between man and machine. the vinyl release includes a download code.

limited ddition of 750 individually numbered copies on orange 180 gram vinyl.
hot shots of reggae is an recording on which a bunch of popular reggae songs are brought together. the album was originally released in the autumn of 1970 and compiled by the legendary chinese-jamaican producer leslie kong. he had enjoyed many hits in in europe and selected some of the true pearls from the reggae music to shine on the album. the album includes the maytals hit monkey man, the sparkling so much love by joe white and the fine rythms of ken boothe’s freedom street. the influential producer leslie kong once discovered jimmy cliff and recorded him on his own record label beverley’s. in 1962 he recorded bob marley’s first single and through the 60’s het became known as the producer of many big artists, like desmond dekker and joe higgs. he died of a heart attack, at the age of 38, in august 1971.

a much in demand reissue of two of nyc born-and-bred, pal joeys, classics from his joint label with reynald deschamps, loop dloop. first up, party time which harnesses that 90s nyc underground house energy with a rawness that was to emanate through many of pal joeys subsequent productions. scalpel in hand, joey expertly crafted this sample laden groover, his trademark stuttering, off-kilter rhythms, loops and fills keeping listeners on their toes throughout, never knowing how the next phrase might unfold. on the flip, raw love utilises a seminal disco classic as its main sample source, looping it in a way only pal joeys mind knows how, adding percussive hits and extra effects to create an innovative, animated and exhilaratingly rhythmic dancefloor bomb. both tracks are perfect examples of the simplicity and seeming effortlessness that pal joey maintains in his productions, adhering to the mantra that less is more but with a resonating rawness that touches deep down in the soul.

played by charlotte de witte ! bristolian producer daniel pearce, aka eats everything, has unveiled his remix of the timeless u (i got a feeling) by scot project, a release celebrating 25 years of iconic dance label, positiva records. having sound-tracked an array of nights over the last quarter of a century, 2018 marks positiva s anniversary year, with the eats remix preceding their upcoming weekend of shows at ministry of sound as a very special celebration of their 25th anniversary. established in 1993, the label sold a staggering 35 million singles in the uk alone and chalked up 14 #1 singles through the past two-and-a-half decades, with 2018 marking a year of celebration. rolling with a typically infectious bassline, eats latest release exhibits a rumbling bassline kept in check by crisp drum patterns. the ep comes with a box to house all other releases from the anniversary series.

33 years after it s first release rick clarke s street soul simmerdown on local records, love with a stranger gets a much welcomed official reissue, remastered from the original tapes. check the dub! just peep that og artwork to get a taste of how this one s about to go down. written and produced by john collins, known for producing the specials - ghost town , love with a stranger perfectly encapsulates that 80s street soul sound. distinctly soulful, synthy slow jams, heavy on the bass with a touch of the low-slung, lovers rock vibrations about them. rick clarke s sultry sweet nothings weave their way irresistibly through this five minute gem, but for those that want to provide their own rendition over the top, the dub has been affectionately cut to the flip.

the raptures luke jenner ventures firmly into the dance floor, this time in full force, on glittering jewel, the brooklyn-based producers debut ep under his meditation tunnel guise. red axes come through with an unclassifiable, stripped-down reinterpretation of fire fly, the perfect pair to deconstruct and re-contextualize the original material.

strange alliances holds two striking and contemporary tracks by the tel aviv native – who also has releases out on turbo and life and death - plus remixes by trikk and rebolledo. and so it seems the amsterdam based label has another winner on their hands. with autarkic having an exceptional personality one would expect the same from his music. and this is exactly what you get with strange alliances, as his originality shines through on both tracks. interesting fact is that autarkic used a lot of live instruments and his own vocals on both tracks, adding to the ingenuity of the dgtl 006 release.

new glasgow electro and techno label tremors presents our first vinyl release - aftershocks volume 1, a collection of remixes of tracks from our bandcamp releases. the a1 comes from electro legend dexter, a man who needs no introduction, remixing old boy s tracer. next up is james shinra (analogical force) one of our favourite contemporary electro artists, remixing arctor memory gene. on the b-side we have patrick walker (forward strategy group) remixing arctor s selfish lover into a slamming acid techno banger. rounding it off is relatively unknown hungarian producer david harleydson who has been self-releasing highly impressive electro albums through bandcamp. he has applied his own unique style in a remix of arctor the gulf.

limited to 200 copies, this release is the second of the 5 12- from the thomas brinkmann retrospektiv 5xlp box set. the 5 individual 12- will be released through 2018/19. thomas brinkmann is one of the great producers of techno music and modern dance music.

a rainy night in the autumn, bottenvikens silverkyrka recorded with the cantor olof petrus in umea city church. improvisation and inspiration resulted in stadskyrkan ep which features four organ-and-techno-driven acid tracks with themes on collectivity, techno spirit and world-wide movement. stadskyrkan ep is the third chapter of the three-o-trinity, the revivalist acid series released by the duo, succeeding det stora uppvaknandet and arken. bottenvikens silverkyrka is a northern sweden congregation that preaches through their machine music: acid techno infused with the message of eternity in the tradition of the swedish revival movement.

9 months of gestation that ignites in 7 titles of contemplative pop, hovering funk, cosmic soul built all this: the jazz fusion of soft machine, the krautrock of the wizards of can, the irresistible languor of italian crooners (toto cutugno and lucio battisti in the lead) as the soundtracks, so sensual, composed by pino donnagio for brian de palma... but if antoine kogut makes this references his own, it is because he considers each of the titles of sphere of existence as «songs, not tracks». with his deep voice he has the ambition to tell us a story through them: his own, and that of the world in which we live with as a guiding idea that all phillip k. dicks predictions have come true today. which ones? youll have to look in the multiple circles assembled by antoine kogut to compose sphere of existence.

belgiums most praised dubstep label duploc has been consistently releasing two-track singles since 2015. the imprint curated by platform duploc.com now announces the launch of a new 12inch vinyl release series. catalogued as duplocv001, the first ep features no one less than label resident hebbe. the dutch up-and-comer was introduced to duploc in the beginning of 2018 with duploc020, as he was signed to crucial recordings and artikal music uk short after. now he returns to the label for the first volume of the new dupplates series. watch out is one of hebbe’s most anticipated tracks as a chest-oppressive weighty sub bass rolls through a distorted landscape of cinematic samples and sinister melodies which are constantly progressing. of course resident enigma dubz has to be involved in this first instalment as he delivers an incredibly stunning remix, hitting you with pure bassweight and powerful synths. on the flip side, compatriot melle and the like-minded mr.k enthusiastically accompany hebbe to unleash both the bouncing wayside as well as the murky lemon twist, two highly overdue cuts. the dupplates vol. 1 is an essential in your record collection and marks a first much promising episode for the next to come on duplocs prestigious series.

numa crew and killa s army join forces on this banger that will represent the first release of the brand new label numa recordings. the first release of numa recordings is all about a mediterranean and jamaican alliance, an explosive blend of grime and reggae vibes.&#8232, killa s army is a crew from london formed by killa p, irah and long range, one of the most powerful trios in the contemporary uk grime scene, their own original style is distinguished by a -heavy- jamaican dancehall & reggae influence. the italian collective numa crew has developed their unique sound over the years, ranging from dubstep to jungle, through a limitless exploration of the different styles in the wide spectrum of genres in the uk underground scene. in the production of -we nuh tek talk- lies the essence of this musical journey. the main theme of the tune is the legendary motive of courtney melody s ‘ninja mi ninja chorus, adapted to a modern day grime beat. backing the title track is the we nuh tek riddim version by numa crew, the beat and the bassline are simple and heavy at the same time. it will be fire in the dance

label boss cali lanauze is joined once again by jonny cruz to deliver the fifth release of opulences catalogue. the duo perfectly demonstrates through the flyg ep the versatility and sounds that opulence brings to the table: deep, trippy, dark, groovy & more. taking on remix duties of cali lanauze & jonny cruzs originals, germanys legendary roman flügel delivers a dark warehouse electronica roller remix of flyg, whilst disco halal head honcho moscoman delivers a deep summer instrumental interpretation of may the wind always be at your back .

robotron is the machine formerly known as xinner. this is its first offering for the esp institute. side as dream resonator is an idiosyncratic network dexterous machine drum/percussion programming, an ebb and flow of floating arpeggios, syncopated counter-melodies and a hail of stabbing stringscontinually diffusing into ethereal vapor all stacked into an (aptly-named) orchestral anthem. side bs ice takes a similar approach with arrangement, each instrument carving out its place in the tracks mechanics for a glorious convergence of patterns, but, where side a proves optimistic, here we sense a more menacing undercurrent, an austerity powerfully articulated through towering kicks and claps so compressed they fill up every dark corner of negative space. indeed, robotron has an innate command for building and calibrating robust systems, but beneath this calculated veil we find the remnant human behavior of xinner. these two songs will whisper loudly but scream quietly.

it’s been four years since eglo records fatima’ released 2014’s blue note-approved, critically acclaimed debut “yellow memories”. this september, the london- via -stockholm, sweden songstress, returns with her second album, “and yet it’s all love” — an emotional, yet entertaining trip through the full cycle of a romantic relationship, told in fatima’s now-familiar soulful style. the double lp release comes with 2 vinyl-exclusive tracks: “dang” (a1) and “may i” (a2).

attempting to pigeonhole 79.5 into something as narrow as a single genre would be an ill advised, if not impossible task. the new york city band sounds like someone spinning a radio dial with such passionate intensity that all the stations blend together into a single, transcendent, almost spiritual force. its disco to the beat of modern house, its a supremes cover of a cardi b banger, its roland kirk playing jazz through one saxophone, funk through another, and the most earwormy pop tune the 1970s could muster through a third. its an experience one so effecting that with only a self-released 12inch single in circulation, 79.5 had been written up twice in the new yorker on the merit of their live sets alone. their debut album predictions is produced by leon michels and was recorded at the diamond mine in queens the old school way, with the whole band playing the songs in one take and captured to analog tape.

they say we are a product of our environment, you are what you eat and you reap what you sow. but what happens when you can no longer dig the earth and your food is toxic? amselcom has forever been near the forefront of change, exposing new ideas and giving insight through music and creativity. our goal was always to bring the world closer by removing barriers and letting sounds and rhythm demonstrate humanity’s true, loving nature. that is why a transformation has taken place and with this latest release we hope to give back and contribute without the shallow, meaningless compensation that feeds the music industry. geplantes nichtstun demonstrates this concept perfectly, by saying it is time to remove ourselves from the machine and make our own way, in our own time. these tracks look to offer introspective that can only be found after eliminating barriers like money and fame. taking time for idleness lets us forget about the things that try and control our lives, a necessary respite in a time of increasing global noise. tracks like opak offer the perfect accompaniment to a quiet time of soulful reflection and mario wagner’s wonderful control room image brings us the idea of self direction and taking charge of your own destiny… one rest at a time.

new from the ever discerning nous camp comes ayln s rehtomep, a 25 minute exploration of the kind of unrelenting machine music for which both artist and label have come to prominenc. side a is a journey through sparse syncopated rhythms, industrial noise motifs and the kind of buzz and hum that the heroes of the second wave of techno music championed, culminating in the ep s title track rehtom which is an exercise in analogue techno mastery. side b s delivery is subtly more dulcet, kicking off with digital memories, which has a more classical techno structure than anything that came before, building intricate melodies into an otherwise taut and tightly woven electronic landscape while the closing impulsive sheit is a gentle downbeat number, exploring the space within the music and creating an atmospheric ambient discourse to outro the heady charge of the ep as a whole.

purport is the second release on scraps by sies. this ep is the outcome of memories of moments which sies keeps in his heart and where the rhythm plays its part, through a sound pushed from electronic music and from the freshness of a simple beat with oldschool influences, acid and melodic which makes you think about yourself. a project brand-new composed of 4 original tracks, exclusively in a vinyl only 180g format.

psp-dancer : the name says it all. this song is about electronic music between past and present, hyper funky, a glitter ball full with memories between flared pants and hedonism and yet straight forward for the year 2018. that s no surprise as for decades it would have been hard to imagine the rhine-main house and techno scene without frankfurt bedrocks pauli steinbach, sascha dive and patrick kunkel, not least because of their cocoon affinity. patrick kunkel and pauli steinbach take out the acid disco hammer full with endorphine acceleration towards dance floor. deep vibes recordingsimpresarios sascha dive and pauli steinbach form a disco reverb mix with a house-like depth between wild pitch and balearics, with kinky disco elements shimmering through again and again. try to take it high

skinny pelembe corrals together a cast of talented friends for his new ep. it’s his most ambitious release to date, boasting a different group or artist featuring on each of its tracks, each of them an act he’s met through music or through linking with brownswood’s celebrated talent development programme future bubblers two years ago. across its four entries, he bridges hip-hop, psych-rock and jazz-influenced tangents, cutting out a diverse cross-section of the city’s music scene. it’s a document of the connections he’s made as an artist, and is the most collaborative project he’s worked on so far. the title of the ep comes from some advice which skinny noted to himself on an old notebook. each of its songs started as a rough idea which was then fleshed out and re-imagined with his collaborators.

solipsism is an archival release of music from mike simonetti’s tenure as owner of italians do it better records, spanning from 2006-2013. during that time mike wrote a lot of music. some of it was used for films, some for tv commercials, some for fashion shows and he even released a record or two.

part 1 of 2 , 2x12 inch vinyl, unmixed 80s disco, post-disco, proto-house

our own organisation is a special collaboration project from tetrode s own specter and downbeat s josè rico. the deep, hypnotic, relentless songs through the whole ep make this a great addition to neroli s catalogue!

spirituals operates under contradictory, sometimes combating, stylistic principles. somehow, however, small glints of emotive euphoria always seem to emerge from the muck and mire at just the right time. love changes, an eerily relatable distant memory, floats in an unsettling, yet celebratory dreamscape. gersts is nested comfortably in a cautiously optimistic daze. in canadian national, the priming of a train engine turns into a snare-driven house banger ¹ a prime example of spiritualsã obsession with combining natural and synthetic moving parts. as it rotates and revolves through ranges of blissfully dissimilar materials, doumen 07 elegantly drapes us in an emotional, shimmering house-coat with pulsating thumps to wear as our slippers.

on an unassuming cassette, just labelled ‘robert rental’ in green dymo tape, these demos have lain unheard for years amongst his family’s treasured possessions, cared-for artefacts of a life cut short far too soon.
these songs, which robert recorded in his council flat in battersea in 1980, provide an enticing glimpse into his all-too-infrequent solo work. on most occasions, robert worked with thomas leer, daniel miller or other collaborators. these are rough recordings, tape hiss still in evidence, but his creativity shines through the murk, like uncut diamonds.

modulare synthesizer treffen auf marokkanische gnawa-tradition. begnadete kollaboration zwischen dem britischen synth-wizard james holden, berüchtigt für seine offenheit gegenüber neuen, nie betretenen wegen und soundexperimenten, und maalem houssam guinia, sohn der verstorbenen gnawa-legende und holden-kollaborateurs maalem mahmoud guinia. drei live aufgenommene world music-tracks mit nordafrikanischen gesängen, aufgenommen 2016 in london. limitierte auflage.

as the first asian-american solo rapper to perform at lollapalooza and coachella, and to release a greatest hits record, lyrics born has broken through countless barriers to cement his illustrious career. now, on september 14th, on the cusp of acting appearances in acclaimed films as sorry to bother you, and the upcoming always be my maybe, he will be the first asian-american solo rapper to release a 10th album a record of funk and soul woven into classic, boom-bap hip hop called quite a life via mobile home recordings.

having firmly established himself as one of the most exciting djs and producers currently working in contemporary electronic music, baltra returns to of paradise with his “can’t explain it” ep, a kaleidoscopic and dazzling journey through the heart and soul of raw and hazy house music. “can’t explain it” comes packaged in a paper sleeve complete with special illustrated artwork and sticker.

since 2010, buyepongo has led a steadily growing los angeles underground movement that combines the vast influence of traditional tropical sounds with the streetwise edges of the latin american diaspora. much like their name implies (translation: to cause a ruckus), their hybrid style is focused on the celebration, an infectious, energetic vibe that is universally and rhythmically connected. it ll get your feet moving, and much like many of the records from the golden age of cumbia, these two offerings demonstrate an updated and adapted reverence for the roots that is truly distinct to their own unique place and time. for the group s latest single, that place, the sprawling latinx scene east of los angeles, met head on with the east coast hot pot of brooklyn. recorded and produced in collaboration with names you can trust during the band s serendipitous 2017 trip to nyc, this new release takes two of buyepongo s most fan-favored and party-tested original songs, two that had yet to be recorded, and combines them with the nyct forty-five ethos: a stripped-down, warm analog recording that perfectly captures buye s live, bring-the-ruckus style in the room as it happened. por la vida romps over the a-side, a modern-day classic in the making whose lyrics (how beautiful is life, always full of surprises) compliment a sunny, easy-going house party vibe, while miri on the flip evolves from a loping, almost reggae groove into a transcendent journey through caribbean feel-good sounds.

lp + download code with bonus tracks + booklet. steiger are a piano trio trying to find a balance between composition and improvisation through the use of experimentation and electronics. the trios highly anticipated sophomore album give space was recorded at 7 different locations, with the music composed to fit and fight these locations within a dialogue of acoustics, atmospheres and appetition.

vinyl only! this may be the first release on alternate facts but if you look deeper you’ll find the culprits have been lurking amongst london’s underground for a while now. dexter kane and thoma bulwer have been solo-navigating the circuit for some time, however the past year has seen them converge to throw a string of successful clandestine events across the capital under the same name.the fact that the pair are both producers and sound engineers in their own right shines through on this well crafted 4 tracker. 300 copies.

noamm is the electronic equivalent of a honed switchblade. with surgical precision the bass agenda alumnus incises keys, cuts chords, pierces percussion and razors through rhythms. it is this slicing sound that the greek artist brings to his debut 12 for shipwrec. seven tracks of machined melodies and frigid fire make up psychoanalysis. the ep is brimming with calculated fury and clinical rage. from the coursing cruelty of ruhestimmung and the menacing dance macabre to the future world coldness of das schwarze korps, noamm is direct and straight to the point with his hard hitting style and no-nonsense approach. few respites are to be found on this 12, into the abyss of changing subconsious being the only refuge from the arctic winds and audio blasts that scour this record. frosted ferocity from start to finish from this exciting musician.

over the years moton has become synonymous with releasing great quality edits from a range of amazing producers. their 43rd release is no different offering up two glorious edits ready made for the dancefloor. cuffari (make the world larger than me) on the a side is four and a half minutes of luscious, soulful, string laden goodness, entrancing you with those dreamy vocals. trust us, she s right when she says the melody echoes in my mind this one will be stuck in your head for days! flip it over and marcel vogel, under his em vee alias channels the happy-go-lucky nyc discotheque days through dancing (jumbo). with an all too infectious guitar and bass riff, coupled with cosmic synth pops and perfectly layered vocal chants its sure fire, peak time disco gold.

erstmals vollständig auf vinyl: das legendäre debütalbum der australisch-britischen d&b-formation pendulum, die damit 2005 aus dem stand in die szene einschlugen. mit sämtlichen 14 tracks der original-cd plus dem bonustrack “blood sugar” (einem späteren 12” track aus 2007). limitierte triple-lp-auflage auf 180g heavyweight vinyl!

incl human machine remix, for the first release, tau001, the adana twins introduce a duo under the name innellea , believed to be one of the biggest up-and-coming talents in the scene right now. heavily influenced by percussion sounds, this inaugural ep successfully launches with thematic cohesion and into a realm of what they believe tribal infused techno should really sound like. recruiting the help of human machine to remix lead track nautilus , having already gained significant support from the adana twins, who play almost all of their releases in their dj sets. the rich, contrasting tastes of the sicilian four-piece shine through, staying true to one simple rule – make people dance.